The Self in A Portrait

self-portraitSelf-portrait, Livadia

When you look at yourself in the mirror, you see your opposite and not the way you really are. So is a self-portrait really possible? I mean, how can you truly know yourself via  a reflection. Seeing yourself in a foto doesn’t count  because a foto is an impression of what the camera  sees  and not the way you see yourself.

No face is totally symmetrical. And it is this lack of symmetry that gives us our true identity.

I recently finished reading THE PAINTER by Will Davenport—two parallel stories meant to intersect based  on Rembrandt’s hypothesized stay in Hull, England. Trying to escape a creditor, Rembrandt unwittingly stowaways on a ship. To pay his fare, he’s obliged to paint a portrait of the captain and his wife. And to paint the faces of others, Rembrandt first had to  learn to paint himself.

Rembrandt painted many self-portraits. He often depicted himself wearing a gold chain—that of the royal patronage. But,  unlike Rubens, Rembrandt had never earned this patronage.  In other words, his chain was a fake.

RembrandtRembrandt’s self-portrait  with gold chain

Rembrandt

Rembrandt’s self-portrait with gold chain

RembrandtRembrandt’s self portrait with gold chain

RembrandtRembrandt’s self-portrait with gold chain

So a self-portrait is not always of who you are but rather of who you’d like to be.

Asymmetrical. With gold chain.

drawing

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Kalo Taxidi

Kalo taxidi Connie by Cynthia Korzekwa
My Zen teacher and friend is leaving Paros tonight.  I will miss her.  A lot.

Kalo taxidi, Connie!

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Mended

mending

front

mending

back

I wish feelings could be mended as easily as a shirt. And with the same joy, color and quirkiness.

mending

on the beach of Lividia

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Produce netting

Last year I wrote about A Change in Lifestyle and how one of my objectives was that of learning to live with less. In part, for principle. In part, for need.

Living with less is, in some ways BUT not in all, easy. It means using what you have before buying anything  else. Take those slippery slithers left when a bar of soap is almost gone.  They generally get dumped as they are difficult to use and look really sad. No one wants to touch them. Solution: put them aside until you have a few then clump them together in some produce netting like that that garlic comes in.

produce nettingBefore

produce nettingAfter

These little netting bags are fantastic and can be used in so many ways. For example, fill them with dried herbs or spices and use them as sachet bags. Being on Paros, thus near the sea, often means that your clothes will aquire a yucky musty smell to them especally during the winter. So I fill these little bags with dried rosemary and hang them in the closet. They really help. And, in the kitchen, I fill them with dried bay leaves to keep away the bugs.

produce nettingBay leaf in netting

I also save the netting for art projects. There are two kinds of netting: rigid (like the garlic bags) and soft (like that for potatoes). At present, I am experimenting with the rigid netting for embroidery work (like cross stitch). And I cut up the soft netting into long strips that are then knotted together to use for crochet or cardboard loom weaving.

Below is a Muy Marcottage purse I made using cardboard, produce netting, and paper wrappers from oranges + art supplies from the grocery store!

Muy MarcottageMuy Marcottage

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Live and let live

adaptationTree and wall;  Mavroyenous Square, Parikia

Once upon a time, the world was big.  There was so much space that, if you didn’t like something, all you had to do was “Go West”. But, gradually, so many went West that they created a crowd.

To share a mutual space implies limits.  However, if we include others in the solution, these limits can be expanded. As in the foto above where tree and wall co-exist.

Adaptation is a form of creativity and flexibility.

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