Practice your mistakes

Practice your mistakes bunny by Cynthia Korzekwa
We all have something in common—we make mistakes. But what makes the difference between us is how we deal with them.

Julian Jaynes wrote that thinking too much can inhibit learning.  He used the example of one learning to type who consistently types “hte” for “the”. I want to correct the mistake so much so that I keep making it. Like going on a diet and then all you think about is food.

The best thing to do, say Jaynes, is to reverse the process by purposely typing the mistake.  Practicing the mistake makes you aware of it. And this method is sometimes called negative practice.

Behaviour is not always intentional.

Related: Practice to Inhibit a Behavior + Julian Jaynes Origin of Consciousness in the Breakdown of the Bicameral Mind [pdf] + HALLUCINATIONS OF INVISIBILITY, FROM SILENCE TO DELIRIUM by Ted Hiebert [pdf].

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The Case For Working With Your Hands

Getting ready to go to Paros for the summer means deciding what books to take. Considering the weight limits airlines allow for luggage, decision making is often a dilemma. One book that crossed the finishline is  THE CASE FOR WORKING WITH YOUR HANDS­ by Matthew Crawford. The author defines himself as a philosopher as well as a mechanic. Therefore, the book has many references to repairing motorcycles that, to be honest, kinda made me yawn. However, there was much info regarding the importance of using your hands that I would like to share with you.

The preface hinted at the idea that working with your hands is good for you morally. Maybe this is a reference to the quote ”idle hands are the devil’s workshop”, a maxim which can be traced back to Chaucer’s “Tale of Melibee”. Moral: Keep yourself busy and you keep yourself out of trouble.

Crawford complains that technical trades are no longer available in public schools as they were in the past because the trend is towards herding young people towards college based careers–whether or not they’re adapted for them.  The implication is that working with your hands is degrading. Could this attitude be promoted, in part, because the U.S. government makes so much money from student loans?

So what is the aftermath of such an attitude? For one, it’s created an economy based on consumerism which has no respect for manual skills such as mending and repairing.

When something breaks and needs to be fixed, it disrupts our state of self-absorption so, generally, we just throw it away and buy new. Consumerism is a form of dependency.

joseph smooke

Mended fence, San Francisco

Reparation is a form of ethics.

Repairing keeps us from being self-referential. To fix something, we have to go beyond the self and enter into the way of thinking of one who repairs as opposed to one who creates. And this means, momentarily, stepping away from our ego.

When we try to repair something, we seek solutions – it either works or it doesn’t. There’s no room for theory. Thinking is no longer separated from doing. Doing leads to intuitive judgement, to tacit knowledge.

LPFM repaired pottery

Repaired ceramics via LPFM tumblr; more mended ceramics HERE and HERE

Another problem that’s been created is that we’ve lost manual competence. And thus a form of knowledge. Anaxagoras said: «It is by having hands that man is the most intelligent of animals». That’s why, in the time of Homer, sophia (wisdom) meant skill.

Hands make the world tangible.  They help us interact with our surroundings. But they also provide a means of  interacting with our own being. Working with our hands helps prevent self-alienation.

alabama chanin

Mending, Alabama Chanin

Working with our hands leads to the formation of  neural pathways. They are created via repetition. We know best what we do regularly. This creates experience.  Experience is knowledge, individual knowledge.  Heidegger once said that the way we come to know a hammer is by using it and not by looking at it.

You can’t clone experience.

Insane-homemade-car-repairs

 Car mirror repaired

Children’s drawings: A field experiment, Undermining Children’s Intrinsic Interest with Extrinsic Reward, made in the 1970’s, had a group of children draw. Some children were rewarded with ribbons and gold stickers whereas others were not rewarded at all.  Several weeks later, those who had been rewarded showed less interest in drawing whereas those not rewarded were still highly interested in drawing and had improved their drawing skills as well.  The conclusion seems to be that drawing/doing is its own reward and that praise can dull the brain.

bunny by Maya

“Stobbayew” the six-legged, egg-laying bunny by 4-year-old Maya

For more related links, go HERE.

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On Paros once again!

We are back on Paros!  And posts this summer will be directly related to this wonderful island, its surroundings and its people.

In the meantime, why not take a look at this easy summer dessert recipe:   Yogurt & Lemon from the blog aegeanpan…they like PAROS, too.

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Rolling Stones, Muy Marcottage and Hot Flashes

gwen stefani with stonesThe Rolling Stones and Gwen Stefani via FB

Last week, Gwen Stefani made an “unexpected” appearance at the “50 And Counting…” Rolling Stones concert in L.A. After  listening to her “Wild Horses” duet with Mick, I felt much better about my own singing-in-the-shower versions of Stones’ songs. And I’m not the only one to give Stefani a bad review.

Stefani, often considered some sort of fashion icon, wore a “personalized” Stones t-shirt. Ok, so she cut off some sleeves.  Wow.  Look, it’s not my intention to dedicate this post to bashing Stefani but take a look at my Muy Marcottage hupil dress below.  Now that’s a sign of true Stones’ spirit!

jumping hot flash

“Jumping Hot Flash” Muy Marcottage Huipil Dress

I made this huipil dress the summer of 2007 using a counterfeit Rolling Stones t-shirt bought outside  the Stone’s concert in Rome of the same year. It was a dress I wore often that summer while on Paros. And, being in the prime time of my menopause, I really suffered the heat. That’s why, referring to the song “Jumpin’ Jack Flash“, I embroidered the phrase “Jumping Hot Flash” onto the dress.

jump'n hot flash

detail of “Jumping Hot Flash” huipil dress

The Rolling Stones logo was designed by John Pasche in 1970 but, despite the fact that it is one of the most successful logos ever designed,  Pasche received only £50 for his efforts.

The logo represents a mix of  Mick’s mouth and the tongue of the Hindu goddess Kali….I wonder if Stefani knows this.

Kali is worshipped as the destroyer of evil and as a compassionate mother.

jumpin hot flash

another detail of “Jumping Hot Flash” huipil dress

Anyway, my “Jumping Hot Flash” huipil dress was made using not only the Rolling Stones t-shirt, but an old gypsy-like cotton skirt as well.  The skirt was pretty worn and had to be patched making it even better. Some of the original sequins were missing but that’s not a problem as one can easily make their own (see link below).

jumpin hot flash

and yet another detail of “Jumping Hot Flash” huipil dress

Recycle to make sequins: earrings made from plastic bottle sequins + hole punchers that can be used to make sequins +

plastic sequins

bracelet made from plastic bottle sequins by Aneta

p.s. I’ve never been a big Foo Fighters Fan but DAVE GROHL is sheer animation!  Loved his duet with the Stones: ROLLING STONES JOINED BY DAVE GROHL AT ANAHEIM CONCERT…maybe because he’s a Capricorn like me?

rolling stones huipil dress

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Marisa Ramirez and her Soft Jewellery.

Recently, I discovered the delightful work of Marisa Ramirez.  It is so happy and playful that I asked Marisa if she would write something about herself and her work for my blog. Fortunately,  Marisa accepted but she writes in Spanish so I had to translate. Unfortunately, my Spanish is very, very folkloristic.  But the general idea is there “subtitled” with fotos. Here’s her story:

marisa ramirez My name is Marisa. I’m married, have 2 children and live in Girona. One of my great passions is art. Via my restless studies regarding current artistic creation, I came across the work of Cynthia Korzekwa and felt a kinship with her way of making.  So I am happy that she asked me to write about my work and the sentiments behind it.

marisa ramirez

 bracelets

Since childhood, I have lived surrounded by relatives who enjoyed working with their hands using  different materials and different techniques, guided only by intuition, to create precious and unique works  that, contemplating them, gave me access to their souls.  Their world,  concentrated in their hands, seemed to be converted into a sea of ​​tight spots, a railway station model, an embroidery of flowers, a blanket, a sweater …. With this background, I learned as a child to be able to express a part  of my interior, to translate this reality using yarns, fabrics, paper. Furthermore, the exercise was comforting, pleasant, intimate and, recognized by my surroundings, allowed me to feel connected to what I loved.¡Redondo!

marisa ramirez 

brooch

Over the years, there have been  times when I have been less active than other times depending upon other vital situations in my life that demanded my attention. Now my creative output has grown continuously giving me great serenity, pleasure and joy. I have so much fun working that the joy and love that it brings makes me feel very connected to the Wholeness. I even dare to show my work to others! I work whenever I can even if I only have five minutes to spare. As I have a husband, two kids, a house, a profession and space necessary for my spiritual evolution techniques, my time is limited. To compensate, I began making works that are small in format. But I’m always willing to dedicate even a few minutes in order to finish one of the many pieces that I have on hand.

marisa ramirez

 brooches

In recent times, I especially enjoy crocheting. I make acessories that I call soft jewelry  as well as small objects or sculptures that are also soft. But for some reason, I can not knit, draw or paint. I work without schemes, patterns or preconceived ideas.   I reach into my stash boxes and feel, touch, and look at my tools, threads, buttons, beads, wool, ribbons, stones, shells.  Then something inside of me gets activated, my hands move, my thoughts drop, everything flows and I’m happy, knowing that I’m in my essence. I have much material that I have accumulated over the years– parts, objects, fiber, papers.  I find them, buy them or they are given to me. I look at them and then, at some unexpected moment, I will find the piece necessary to finish a work.  In this sense, I feel very comfortable with art movements related to the hand-made, recycled materials and outsider art.

marisa ramirez

 necklace made from earphones

In recent years, thanks to internet, I have learned about authors and free-thinking artists who are far away from conventional modern art circuits.  I’m in debted to them for having learned  a “skill” and for having strengthened confidence in myself. I could sum it up using the phrase of an author I found on Cynthia’s blog: “Creating is the capacity to give a new identity, new colors, new soul to every object we see around us.  It is a capacity that all humans have but that few recognize. It is a primary need not given consideration.” Alida Mazzaro

Marisa Ramirez

La Totalidad   

 Marisa Ramirez Work

Marisa’s Tumblr

marisa ramirez

brooch

marisa ramirez

 soft sculpture

marisa ramirez

 bracelet

marisa ramirez

 brooch

marisa ramirez

 brooch

marisa ramirez

brooch

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