Solitude is Frugal

Tenby is a quiet seaside town in Wales, land of bards. It was here that, as a child, the artist Gwen John (1876-1939) combed the beaches looking for seashells to paint.

Gwen’s mother died when Gwen was only eight. The absence of a parent always has consequences on a child. Unfortunately, sometimes those consequences only seem to grow.

Both Gwen and her younger brother, Augustus, wanted to become artists. So when Gwen was 19, the siblings travelled together to London to attend the Slade School of Art, the only art school that admitted women. Once there, Gwen, already shy by nature, became better known as her brother’s sister than as an artist in her own right.

Augustus was a good draftsman, charming, and a major womanizer. Within a few years, he became a well-known society painter. Gwen and one of her brother’s friends, Ambrose McEvoy, began an intimate relationship. Gwen was head over heels whereas Ambrose was just a heel. With no warning, he dumped Gwen and then married an older unattractive woman. Gwen was crushed.

In 1903 Gwen and a friend decided to walk to Rome. They sailed from Liverpool to Bordeaux where they began walking. They walked carrying their art equipment, slept in fields, and tried exchanging sketches for food. However, once they had arrived in Toulouse, the thrill of On the Road was way gone and they headed towards Paris. It was 1904 and Gwen had begun modeling to maintain herself. Her brother Augustus suggested that she seek employment as a model for Rodin, the most well-known artist at the time. Rodin preferred British and American models. He quite liked Gwen’s physical presence and decided to use her as a model for his monument to Whistler (with whom Gwen had studied for a short time). But the statue was never finished.

Despite the 35 year age difference, Gwen and Rodin became lovers. Rodin was a serial seducer with years of experience. Gwen was inexperienced and needy. She began writing him obsessively sending him up to three letters a day for the next ten years. Gwen was in love but Rodin was not. Eventually he tried keeping her at a distance.  

Gwen had now been dumped by the only two men she had ever loved. Like Dora Maar after Picasso, Gwen sought solace in Catholicism. So Rodin was replaced by God and Gwen’s only desire was to become “God’s little artist.”

Gwen practiced extreme frugality. Frugality, a form of restraint, is necessary when you don’t have much money to survive on. But frugality is often considered a form of spiritual discipline. Catholics believe in forms of self-denial such as fasting, penances, and giving your money to the church instead of using it for some personal pleasure. Deprivation is, for many, a religious experience.

The external world had been too aggressive for her. It was best, she thought, to focus even more on her interior self. So for the rest of her life she lived in Meudon alone with her cats (Camille Claudel style). Gwen John died of starvation on a street in Dieppe in 1939.

There is much mythology about Gwen’s reclusiveness. Although she never completely retired from life, solitude was the essence of her being. She even saw solitude as a form of self-preservation.  In 1912 Gwen began a notebook entitled “Rules to keep the world away”.

“I don’t pretend to know anybody well. People are like shadows to me and I am like a shadow” she wrote.

The desire for solitude radically affected her art. She preferred painting women all alone. Some of her models commented that Gwen often pulled their hair back maybe to look a bit more like Gwen herself.

Gwen John, Self-Portrait (1902) Source

Gwen John, The Student (c. 1903) SOURCE


Gwen John, The Artist in her Room (c. 1907) SOURCE

Gwen John, Self-Portrait with Letter (1907) SOURCE

There are currently more than one thoushand letters by Gwen to Rodin in the archives of the Rodin Museum in Paris.

Gwen John, Young Woman Holding a Black Cat (c. 1920) SOURCE

Gwen was a cat lover .

Crop

Related:

Camille Claudel and Touch +

Gwen John + THE PORTRAITURE OF GWEN JOHN + Gwen John: student and master + A Muse For Rodin, The Welsh Painter Gwen John + Did Auguste Rodin Steal From Camille Claudel? +

Gwen John | Motifs

Bibliography:

Taubman, Mary. Gwen John. James Price Publishing. London. 1985. (available of archive HERE)

Chitty, Susan, Lady. Gwen John, 1876-1939. F. Watts. NYC. 1987. (available on archive HERE)

Posted in Art Narratives, Conditions of Possibility, Paris | Tagged , , , , , | 1 Comment

St. Martin’s Cloak

One extremely cold winter’s day in the year 335, Marin was doing his duty as a young soldier in the Roman army when he saw a beggar freezing from the cold. Without hesitation, Martin took his sword and with a big SWHISH sliced his cloak in half. He kept one half for himself and gave the other half to the beggar. Instead of using the sword to destroy a life, Martin had used it to save a life.

That night Jesus came to Martin wearing the cloak and said: “What you did for that poor man, you did for me as well.” And thanks to his generosity to someone less fortunate than himself, Martin became a saint.

St. Martin’s cloak became a popular theme in religious art.

After the conversion of Emperor Constantine, Romans were more or less forced to convert to Christianity, too.

Martin, born in what is now Hungary, was forced to join the calvary at the age of 15 and served for nearly two years after his baptism.

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Related: St. Martin, Bishop of Tours (c.315-379) + + Constantine the Great and Christianity

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Ancient Moms

for Dorit, χρόνια πολλά

The Roman Empire, addicted to expansion and wealth, wanted Britain’s tin and the land that went with it. In 54 BC, Julius Caesar invaded Britain. The locals were not prepared for such an overwhelming military force. Britain at the time was full of small kingdoms. To avoid conflict and loss, many leaders became “client kings”. That is, in exchange for their loyalty to Rome, the kings would be permitted to maintain some degree of sovereignty. Accommodating client kings generally became wealthy making this compromise all the easier to accept. This form of governing went on for almost 100 years. But that all changed in 60 AD.

Claudius became Roman emperor in 41 AD. He was physically awkward as he limped and had difficulties hearing. Romans liked their men to be macho so the wimpy Claudius was snubbed by his contemporaries. That is, until Caligula was assassinated. Claudius, the only adult male remaining in the family, became Emperor. Despite being an efficient administrator, Claudius had enemies including his wife (and niece), Agrippina the Younger, who was also the sister of Caligula and the mother of Nero.

After their marriage, Claudius adopted Nero as his son. Big mistake. Once Agrippina moved into the palace, she took over. Her deleterious relationship with power convinced her to feed her husband poisonous mushrooms so her son, Nero, could become emperor.

In 54 AD at the age of 16, Nero became Emperor of the Roman Empire. Although he had little interest in ruling the empire, he had much interest in spending the Empire’s money.

Momma Agrippina was just as greedy as her son. And just as sleezy. She had a libido out of whack having sexual relationships with her uncle, her brother, and her son. Agrippina used sex as a means of maintaining control. But Nero grew tired of his mom’s interference so he had her killed.

Nero and Agrippina

In 60 AD, Prasutagus, king of the Celtic tribe, Iceni, died. He’d been a client king and, hoping to avoid conflict for his people, he declared that his daughters, along with Nero, would rule the Iceni. But Nero, a greedy spendthrift, decided he wanted all of Prasutagus’ wealth and property. He did not honor the terms of Prasutagus’ will and, instead, Nero sent Roman soldiers to take charge of Prasutagus’ patrimony. And as they pillage and plundered, the Romans also stripped and flogged Boudica, wife of Prasutagus and Queen of the Iceni before raping her daughters.

Now Boudica was a mom. Not a mom like Agrippina but a normal mom who was bound to protecting and defending her children. The violence and humilation her daughters had been subjected to gave her a super power she vowed to use to destroy the Romans and their allies. After uniting the other Celtic tribes to make a passionate speech about the need to reappropriate themselves of their own territory and their own culture, Boudica declared war on the Romans.

Fueled by a mother’s rage, Boudica led her troops to victory, successfully razing to the ground three major Roman controlled towns (including modern-day London). Not only had the Romans been humiliated, they’d been humiliated by a woman. Nero foamed at the mouth while ordering the Roman governor of Britain, Suetonius Paulinus, to obliterate Boudica and her people.

The Romans were brutal and destroyed everything they could. Boudica, seeing her defeat, reacted like Cleopatra. She and her daughters drank a poisoned cocktail because they knew it was better to be dead than to be a prisoner of the Roman army.

In The Gallic Wars, Caesar wrote that the Druids concerned themselves with all things sacred as well as in settling disputes decreeing both rewards and punishments.  There were various groups of Druids each group having its own leader.

All Druids were Celts but not all Celts were Druids.

Most of what is known about the Druids comes from the Romans. The Romans were keen on writing the history for themselves and others. Because it was also a form of propaganda. The Druids were literate, but it was against their religion to write down the knowledge meant only for priests and sacred scholars.  The Druid need for secrecy is reminiscent of the Eleusinian mysteries.

There were three categories of Druids: Druids the philosophers, Ovates the healers/seerers, and Bards the singers/storytellers.

Many of the Bards lived in Wales. So is it any wonder that the Welsh have an excellent choir tradition? Or any wonder that Tom Jones is from Wales?

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Related: The Celtic Origins of Mistletoe +  Druids in History Maria Palmer +  Women in Druidry + Were There Female Druids? +  Regarding Female Druids +  Druidism and Female + Ancient druids of Wales  + Twilight of the Druids, Madness of Emperors + The mysterious history of druids, ancient ‘mediators between humans and the gods’ + the Bards of Wales + Who was Nero?  British Museum +

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Ekphrastic Tourists

“The relation between what we see and what we know is never settled.” John Berger

Simply looking at a great work of art is not always enough. We often feel the primordial need to possess it in some way. And the cheapest way of doing so is by being photographed with it.

In Pisa, it’s almost mandatory to have a photo taken of yourself in such a way as to appear as if you are holding up the tower. Who doesn’t want to be a hero?

They felt like screaming so they did. Apparently, it is a big thing to take a photo of the self in front of Munch’s The Scream screaming (as can be seen HERE).

Thinking is for thinkers.

Rodin’s Thinker also inspires many ekphrastic photos. Even Robin Williams couldn’t resist as seen HERE once at the Rodin Museum.

Flashing in front of The Artist And His School by Arthur Siebelist. To keep the boys alert, sometimes you just have to flash back.

A photo  of a little girl dancing in front of a woman dancing made the internet rounds for some time.

Art inspires imagination and imitation.

This is a photo I took years ago. It is of a young boy on the floor drawing one of Rodin’s statues at the artist’s museum in Paris.

Imagination is a playground.

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Related:

Ekphrastic Copyists + Starry Starry Night + Ekphrastic: Lawrence & Jayne

How John Berger changed our way of seeing art + ‘A moment of awe’: Photo of little girl captivated by Michelle Obama portrait goes viral  +

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The Picnic

Picnics are not just for parks. It was once trendy to have them in cemeteries.

Here’s a photo of a small group picnickers sitting on flat tombstones at St. Luke’s Ancient Cemetery. (photo via HISTORIC ST. LUKE’S)

Atlas Obscura provides an interesting article HERE citing how one reason people had picnics there is because many cities lacked parks and/or public green space to provide an alternative. Plus it provided a place for  family get togethers where the deceased in the family could participate as well.

Related: Verano Monumental Cemetery + Excavating stories at Verano +

Remembering When Americans Picnicked in Cemeteries +  Graveyard Picnics Reunited Families + cemetery picnics our ancestors attended + The Victorians had a very peculiar tradition of picnicking in cemeteries +

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